CONDITION: Clear and sharp with beautiful detail. As scanned. Blank on the back. Heavier paper. This beautiful print would look great matted and framed. Or an art supply store can provide you with a selection of frames for old art treasures.

BIOGRAPHY - Claude Lorrain (Lorraine, c. 1600–Rome, November 23, 1682), a French artist of the Baroque era who was active in Italy, is admired for his achievements in landscape painting.Lorrain was born into poverty in the village of Chamagne, Vosges in Lorraine. He was one of five children. His actual name was Claude Gellée, but he is better known by the province in which he was born. Orphaned by age of twelve, he went to live at Freiburg with an elder brother, Jean Gellée, a woodcarver. He afterwards went to Rome to seek a livelihood and then to Naples, where he apprenticed for two years under Godfrey Waals. He returned to Rome in April 1625 and was apprenticed to the now-infamous Augustin Tassi. He apparently was able to tour in Italy, France and Germany, including his native Lorraine, suffering numerous misadventures. Karl Dervent, painter to the duke of Lorraine, kept him as assistant for a year; and at Nancy he painted architectural subjects on the ceiling of the Carmelite church. In 1627 Lorrain returned to Rome. Here, two landscapes made for Cardinal Bentivoglio earned him the patronage of Pope Urban VIII. From about 1637 he rapidly achieved fame as a painter of landscapes and seascapes. He apparently befriended his fellow Frenchman Nicolas Poussin; together they would travel the Roman Campagna, sketching landscapes. Though both have been called landscape painters, in Poussin the landscape is a background to the figures; where as for Lorrain, despite figures in one corner of the canvas, the true subjects are the land, the sea, and the air. By report, he often engaged other artists to paint the figures for him, including Courtois and Filippo Lauri. He remarked to those purchasing his pictures that he sold them the landscape; the figures were gratis. In order to avoid repetition of subjects, and also to expose the many spurious copies of his works, he made tinted outline drawings (in six paper books prepared for this purpose) of all those pictures sent to different countries; and on the back of each drawing he wrote the name of the purchaser. These volumes he named the Liber Veritatis (Book of Truth). This valuable work, engraved and published, has always been highly esteemed by students of the art of landscape. Claude, who suffered much from gout, died in Rome at the age of eighty-two, on either 21 November or 23 November 1682, leaving his considerable wealth between his only surviving relatives, a nephew and an adopted daughter (possibly his niece).